Last fall at the tea seminar, whenever Bruce wanted to end our breaks and call us all together again, he did the most peculiar thing. He picked up a small bronze bowl, took a small wooden mallet in his hand and then began to very slowly move the mallet around the outside edge of the bowl. The sound was low at first, but it gradually built into a deep, loud and beautiful song. The graduated intensity caused our bustle and conversation to melt into silence. I found it the most calming and beautiful way to call a group’s attention together. So much more peaceful than shouts or whistles or bells and, admittedly, more calming than the sound I’ve been using to start meetings the past several years: the shofar.
I found out that his simple instrument was a Tibetan singing bowl which had been gifted to him by someone sometime somewhere along the way of his many and varied tea travels. And I wanted one.
My desire remained firmly planted… in the very back of my mind. I figured I’d have to save for years and search high and low for one. But a friend’s Facebook status a few weeks ago prompted me to check one of my favorite retailers, Ten Thousand Villages. They have several. Different sizes, different materials. I quickly realized that I knew nothing about singing bowls and did a little quick research. Someday I would like to own a larger, hand-hammered singing bowl. But for now I purchased a very small, simple, sand-casted brass bowl through Ten Thousand Villages. It’s called “Delicate Song.”
It arrived Monday.
I was so excited!
As soon as I unpacked it, I had the mallet out trying to make the bowl sing. Just like Bruce did. It didn’t come right away and over the course of the past week as I have interacted with the bowl, not only have I gotten better at making it sing, but I’ve come to realize it can teach me much about faith and life:
- Don’t hold on too tightly. The singing bowl sits in the open palm of the hand. Placing fingers up around the sides or, for a very small one like mine, cupping the palm of the hand too much chokes the song. It reminds me again to hold my stuff in open hands. I don’t want to choke the song out of my life by holding onto stuff, onto unnecessary things, nor even holding wrongly onto that which is the current instrument of the song God has given me to sing.
- Slow down. Don’t rush. Take it slow and steady. The slower and steadier you move the mallet around the outside of the bowl, the stronger, the more unwavering and the more beautiful the sound is. If you rush, the mallet clashes with the fine vibrations that enable the singing and it makes a tinny ringing sound that is quite discordant from the intended song. Likewise, rushing through life, through quiet times and prayer times, through conversations and time spent with family and friends can cause sour notes or kill the song. Slow it down a bit…
- Be patient. This is not a piano nor guitar nor drum which makes sound the instant you play it. The bowl requires a few (or several) steady rotations for it to begin to sing. But sing it will. And some things are definitely worth waiting for. Not everything in life is instant. And the best things seldom are. So be patient. With yourself. With others. With God.
- Be unwavering. I read a great article today that brought up “the undisciplined pursuit of more.” The article was speaking of how the success of successful people and organizations can undermine clarity which ends up undermining the success itself. I thought about how we get going and we’re excited and have this momentum and it can easily become a “more, more; faster, faster!” drive. Yet as I saw early on with the singing bowl, though the tendency is to speed up when it begins to sing in an effort to make it better, louder and longer, this actually undermines the song. It can kill the song. Sticking to the right rhythm unwaveringly is much more productive for the song. Isn’t the same true in life? It’s like that old story of the tightrope walker I heard from Dave Thrush in many a staff meeting all those summers working at camp: the hardest part of tightrope walking is near the end, when the platform is no longer within peripheral view yet it is still too far for a final step or jump. Attempting to speed up or “jump” right to the end causes a perilous fall. I’ve recounted this story many a time to friends, encouraging them to not rush and keep the steady pace.
- Keep the pressure firm, yet soft. When moving the mallet around the bowl, if you are too firm you will interrupt the vibration or even push the bowl itself. Yet if you are too soft you allow too much vibration between the mallet and the bowl and you get that awful tinny ringing again. There is an appropriate tension that should be kept in order for the bowl to sing.
- Keep playing. In some ways it seems silly. It’s a bowl and a mallet and you move the mallet around the bowl. Simple, right? How hard can it be? But as I’ve discovered this week, there is much more to a singing bowl than meets the eye. The bowl has taught me so much – and God has taught me so much through it! – but even though I know how to make it sing and what to do and what to avoid, I still don’t get it right every time. The more I play the singing bowl, the better I will be at it. It will take time to get good, to make it sound beautifully seemingly effortlessly, but in order to get there I have to keep going; I have to keep playing it.
- Time smoothes the rough edges. Unlike the others, this isn’t something I observed on my own. This was mentioned in the comments when I was listening to some singing bowl videos on YouTube. Over time, the constant rotation of the mallet around the edge of the bowl works to smooth it out even more than the artisan already has. It diminishes any friction and the sound becomes even smoother, even purer.
I’m really enjoying my singing bowl. I use it when I’m trying to quiet my mind. I use it to help me focus and turn to God. It takes a quiet sort of concentration that is conducive to prayer and meditation. Which makes sense considering its origins are in Buddhist meditative practice.
As as I mentioned, this little brass bowl (and God) have taught me a lot this past week. Some of it I spelled out in more detail, some of it I left for you to make the deeper connections to your own life and faith. So think on…